A bona fide classic today in the self titled Clash debut, The Clash.
I say this undramatically but what a stunning album, even if it was a dreadful album 2 songs part way through are the best two back to back songs bar none, name two songs on an album that follow each other that are better than White Riot and White Man In Hammersmith Palais. As I wheeled through Staffordshire in the Spring sunshine with each and every track I wanted to wind down the window, attract the attention of the BMW driver to my right and say this is fucking ace this is. I didn’t but by god I hammered away at my steering wheel bongos.
You know already if this is a good album, its not an obscure oddity, this is musical revolution (with guitars) from the opening Who strokes to the closing dig at Charles Shaar Murray, its not a good, great or excellent album it is ground breaking, a head of its time, undated and rare. Its a classic in every sense of the word and if there is a hole in your CD, tape or vinyl collection where this should be, I am not disappointed, I pity you.
This album takes music to a better place, it kicks open the doors and says here you go try some of this, yes sir you can still boogie, but the beat was a little different.
I saw Joe Strummer and his band The Mescaleros perform White Man In Hammersmith Palais before he died, my wife thinks it was one of the happiest I have ever been in my life. She wasn’t wrong.
The album is just wonderful, no low point, no filler, nothing out of place, nothing bad. 10 out of 10, and if you went back to all the other 10 out of 10’s they would be 9’s compared to this. Stunning.
White Man In Hammersmith Palais by The Clash
Tuesday, 9 March 2010
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